Quotes About Art From the Picture of Dorian Gray
"Never marry at all, Dorian. Men ally because they are tired, women, because they are curious: both are disappointed."
― The Picture of Dorian Gray
"The ugly and stupid have the best of it in this world. They can sit down at their ease and gape at the play. If they know zippo of victory, they are at least spared the knowledge of defeat. They live as nosotros all should live-- undisturbed, indifferent, and without disquiet. They never bring ruin upon others, nor ever receive information technology from conflicting hands. Your rank and wealth, Henry; my brains, such equally they are-- my fine art, whatsoever it may be worth; Dorian Gray's good looks-- we shall all suffer for what the gods have given the states, suffer terribly."
― The Picture of Dorian Gray
"Information technology was non intended as a compliment. It was a confession. Now that I have made information technology, something seems to take gone out of me. Peradventure ane should never put one'due south worship into words."
― The Picture of Dorian Gray
"I want to be practiced. I can't bear the idea of my soul existence hideous."
―
"Those who observe cute meanings in beautiful things are the cultivated. For these at that place is hope."
― The Motion picture of Dorian Gray
"You look ill," Matthew observed. "Is it my dancing? Is it me personally?"
"Perhaps I'm nervous," she said. "Lucie did say yous didn't like many people."
Matthew gave a precipitous, startled laugh, before schooling his confront dorsum into a await of lazy entertainment. "Did she? Lucie'southward a chatterbox."
"But non a liar," she said.
"Well, fear non. I do not dislike you lot. I hardly know y'all," said Matthew. "I do know your brother. He made my life miserable at school, and Christopher's, and James's."
"Alastair and I are very different," Cordelia said. She didn't want to say more that. It felt disloyal to Alastair. "I similar Oscar Wilde, for example, and he does not."
The corner of Matthew's mouth curled upward. "I see you get directly for the soft underbelly, Cordelia Carstairs. Have you lot really read Oscar's work?"
"Just Dorian Grey," Cordelia confessed. "It gave me nightmares."
"I should like to take a portrait in the attic," Matthew mused, "that would show all my sins, while I stayed young and beautiful. And not only for sinning purposes—imagine existence able to try out new fashions on it. I could paint the portrait's hair blue and run across how information technology looks."
"Y'all don't need a portrait. You are young and beautiful," Cordelia pointed out.
"Men are not beautiful. Men are handsome," objected Matthew.
"Thomas is handsome. You are beautiful," said Cordelia, feeling the imp of the perverse stealing over her. Matthew was looking stubborn. "James is beautiful too," she added.
"He was a very unprepossessing child," said Matthew. "Scowly, and he hadn't grown into his olfactory organ."
"He's grown into everything now," Cordelia said.
Matthew laughed, again as if he was surprised to be doing it. "That was a very shocking observation, Cordelia Carstairs. I am shocked."
― Concatenation of Gold
"I have been right, Basil, haven't I, to accept my dear out of verse, and to find my wife in Shakespeare'south plays? Lips that Shakespeare taught to speak accept whispered their secret in my ear. I take had the arms of Rosalind around me, and kissed Juliet on the oral fissure."
―
"You lot know we poor artists accept to show ourselves in guild from time to time, but to remind the public that we are non savages."
―
"Come up, I tell you. You have chattered plenty about abuse. Now you shall wait on it confront to face!"
― The Movie of Dorian Gray
"For these treasures, and everything that he collected in his lovely business firm, were to exist to him ways of forgetfulness, modes by which he could escape, for a season, from the fearfulness that seemed to him at times to be almost besides bully to exist borne."
― The Movie of Dorian Greyness
"BEATRICE: Do y'all truly not know who he was? Mr. Dorian Gray, the lover of Mr. Oscar Wilde, who was sent to Reading Gaol for—well, for holding opinions that guild does not approve of! For believing in beauty, and art, and honey. What guilt and remorse he must feel, for causing the downfall of the greatest playwright of the age! It was Mr. Gray's dissolute parties, the antics of his hedonistic friends, that exposed Mr. Wilde to scandal and opprobrium. No wonder he has fallen casualty to the narcotic.
MARY: Or he could just like opium. He didn't seem particularly remorseful, Bea.
JUSTINE: Mr. Gray is not what society deems him to be. He has been greatly misunderstood. He assures me that he had no intention of harming Mr. Wilde.
MARY: He would say that.
CATHERINE: Can nosotros not hash out the Wilde scandal in the eye of my book? You're going to become information technology banned in Boston, and such other puritanical places."
― The Sinister Mystery of the Mesmerizing Girl
"Though forgiveness was impossible, forgetfulness was possible however, and he was determined to forget"
― The Picture show of Dorian Gray
"Information technology scares the living daylights out of everybody. Present company excepted, I'm certain." "I don't really do living or daylight," Dorian said. "I'1000 a Gothic masterpiece."
― The Unlikely Escape of Uriah Heep
"A coisa mais banal se torna deliciosa se a escondermos"
―
"¡Cielo santo! ¡Qué loco estaba al quererte! ¡Qué imbécil he sido! Ya no significas nada para mí. Nunca volveré a verte. Nunca pensaré en ti. Nunca mencionaré tu nombre. No te das cuenta de lo que representabas para mí. Pensarlo me resulta intolerable. ¡Quisiera no haberte visto nunca! Has destruido la poesía de mi vida."
― El retrato de Dorian Grey
"Our weakest motives were those of whose nature we were conscious. It frequently happened that when nosotros thought we were experimenting on others we were actually experimenting on ourselves"
― The Picture of Dorian Gray
"Düşes, "Ya sanata ne diyorsun?" diye sordu.
"Bir illettir."
"Aşk?"
"Yanılsama."
"Din?"
"İnancın yerini tutan günün modası."
"Sen kuşkucusun."
"Hiç de değil. Kuşkuculuk imanın başlangıcıdır."
"Ya nesin sen öyleyse?"
"Tanımlamak kısıtlamaktır."
"Bir ipucu ver bana."
"İp dediğin kopar. Labirentte kaybolabilirsin."
― The Picture of Dorian Gray
"В молодости Панхарий был красивым мужиком, но к старости пороки развалили его рожу на куски"
―
"Oh! In what a wild hour of madness he had killed his friend! How ghastly the mere memory of the scene! He saw it all again. Each hideous detail came back to him with added horror. Out of the black cave of Time, terrible and swathed in scarlet, rose the epitome of his sin."
― The Picture of Dorian Gray
"For God'south sake don't talk to me,' cried Dorian, stamping his foot on the ground. 'What exercise yous want? Money. Here it is. Don't ever talk to me again,"
― The Motion picture of Dorian Gray
"Le donne ci ispirano il desiderio di far dei capolavori eastward ci impediscono sempre di eseguirli"
― Il ritratto di Dorian Gray
"Allorché venne in contatto colla vita la distrusse due east questa distrusse lei; due east così è scomparsa"
― The Movie of Dorian Gray
"Ruhun acısını ancak duyular alır, nasıl ki duyuların acısını alabilecek tek şey de ruhtur."
― The Picture of Dorian Gray
"The creative person is the creator of beautiful things.
To reveal fine art and conceal the creative person is art's aim.
The critic is he who can interpret into another
fashion or a new material his impression of
beautiful things.
The highest as the lowest form of criticism
is a way of autobiography.
Those who find ugly meanings in beautiful
things are decadent without being charming.
This is a fault.
Those who discover beautiful meanings
in beautiful things are the cultivated.
For these there is hope.
They are the elect to whom cute things hateful merely Dazzler.
There is no such thing equally a moral or an immoral volume.
Books are well written, or badly written.
That is all.
The nineteenth century dislike of
Realism is the rage of Caliban
seeing his own face in a glass.
The nineteenth century dislike of
Romanticism is the rage of Caliban
not seeing his ain face in a drinking glass.
The moral life of man forms part of the
subject field-affair of the artist, but the morality
of art consists in the perfect apply of an im-
perfect medium.
No artist desires to prove anything. Even
things that are true tin be proved.
No artist has upstanding sympathies. An
upstanding sympathy in an artist is an united nations-
pardonable mannerism of style.
No artist is ever morbid. The artist
can express everything.
Thought and linguistic communication are to the artist
instruments of an art.
Vice and virtue are to the artist materials
for an art.
From the point of view of grade, the type of all
the arts is the art of the musician. From the
point of view of feeling, the actor's arts and crafts is the
Blazon.
All art is at once surface and symbol.
Those who go beneath the surface do so at
their peril.
Those who read the symbol practice and so at
their peril.
Information technology is the spectator, and non life, that art actually
Mirrors.
Multifariousness of opinion about a work of fine art
shows that the work is new, complex, and vital.
When critics disagree, the artist is in accord
with himself.
Nosotros can forgive a man for making a useful
thing as long as he does non admire it. The
simply excuse for making a useless thing is that
one admires it intensely.
All art is quite useless."
― The Picture of Dorian Gray
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Source: https://www.goodreads.com/quotes/tag/dorian-gray
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